Cover of the exhibition pamphlet
Image of Julia Morison standing with the exhibition
Image of the exhibition
This exhibition is now closed
This is the third Artists Project for 1982 with the artist presenting a suite of paintings selected from recent work.
Exquisitely executed canvases in tones of brick red and white, these visually stunning works are entirely based on the triangle. The shape of the works is determined by the configuration of the triangles within, and these triangles explore very precise geometric relationships and progressions between themselves.
This is the third Artists Project for 1982 with the artist presenting a suite of paintings selected from recent work. Julia Morison’s wok has recently undergone a radical stylistic change to an extremely precise, crisp edged imagery utilising shaped canvases. Those who have followed Ms Morison’s development will find this a very interesting exhibition.
('Julia Morison', Bulletin, No.22, July/August 1982, p.3)
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Date:
23 June – 4 July 1982 -
Location:
Robert McDougall Art Gallery - main gallery -
Exhibition number:
276
Related
Bulletin 22
July/August 1982
Contents include:
Gallery extensions approved
Julia Morison exhibition
Conformity and dissension exhibition
Still life in the age of Rembrandt exhibition
Supplement
The New Zealand Work In the Fourth Biennale of Sydney: John Hurrell
Exhibition
Julia Morison: Meet me on the other side
25 March 2012
Julia Morison's evocative post-quake sculptures and 'liqueurfaction' paintings return to Christchurch for a special showing in a gallery space overlooking the inner-city 'red zone'.
Exhibition
Canterbury Belles: Margaret Dawson, Julia Morison and Mary Kay
10 September 1990
A complex invitation by three artists from Canterbury investigate the means of production of master narratives. The touring exhibition by Margaret Dawson, Julia Morison and Mary Kay explore the constructions of mythologies in relation to the human body and gender.
