Notes
The sound of painting

The sound of painting

Noise travels, and so does some painting.

Notes
The Incredible Trans-Tasman Opening Trifecta

The Incredible Trans-Tasman Opening Trifecta

You may be a foxy old prestidigitator, David Copperfield...

Notes
One good reason to visit 209 Tuam Street

One good reason to visit 209 Tuam Street

As reported on Tuesday, glitter's one reason to get along to our outpost at 212 Madras Street.

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One good reason to visit 212 Madras St

One good reason to visit 212 Madras St

It arrived on Thursday, after a nervous wait.

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Keeping up appearances

Keeping up appearances

Some of the more touching sights in the red-zoned eastern suburbs during the first big exodus of residents were immaculately mown front lawns. The homes might have been due for demolition and the neighbourhood might having turning apocalyptic, but a few house-proud owners were still coming back to keep things looking dignified out front.

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Into the black

Into the black

Okay, we've changed our colours. Last week I was praising the sight of our new space at 209 Tuam Street going into the white.

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Ten good reasons to visit 209 Tuam Street

Ten good reasons to visit 209 Tuam Street

Ten good reasons to visit our new digs on the first floor at 209 Tuam Street (opening March 21).

Article
Speaking sticks and moving targets

Speaking sticks and moving targets

New works by Shane Cotton

The Hanging Sky brings together Shane Cotton's skyscapes from the past five years. But the core of the exhibition is a big group of freshly made works of art. Senior curator Justin Paton first saw them in completed form during the show's installation in Brisbane. Here he describes his encounters with a body of work 'at once beautiful, aggressive, protective and evasive.'

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Into the white

Into the white

'The white cube.' It's copped a lot of artcritophilostorical flak over the past couple of decades. Ever since, in fact, Brian O'Doherty wrote his still wonderful series of essays gathered in the book Inside the White Cube. (Haven't read it? Do.)

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Subtly engaging security

Subtly engaging security

We've all heard the stories about confusions occurring on the edge where art meets life. The London cleaning lady, for instance, who threw out hundreds of cigarette butts that turned out to be a Damien Hirst. Naturally, no self-respecting gallery professional wants to see their favourite artworks confused with mere stuff.

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