Lonnie Hutchinson’s new exhibition at Te Puna o Waiwhetū Christchurch Art Gallery is a calling—between living rākau rongoā planted on the forecourt of the Gallery and imprints of their leaves cut into wallpaper and metal inside. It questions our construction of spaces, the exterior versus the interior presentation of ourselves, inevitably exposing our own health and that of our taiao. Lonnie talks about rongoā, medicinal plant extracts, as being human-made, in as much as paper is human-made from plants, or aluminium cladding from bauxite in the earth. She carves the shapes of leaves into paper and aluminium and we are asked to step with her into te whare tapa wha—the house of healing. Sir Mason Durie designed this whare with a pillar for our tinana, our hinengaro, our wairua and our whānau and it is these things that I feel Hutchinson is asking us to notice in her deconstructed rongoā built of the elements, extracted from the earth, intrinsic to our whakapapa.