What’s On
Night Market at the Gallery
Wine, beer, food, crafts, jewellery, ceramics, plants, candles, records, books, DJs (not for purchase) and more...
Spring Time is Heart-break: Contemporary Art in Aotearoa
A major exhibition featuring works that tell stories about personal and collective histories, communication, distance and relationships to our environment.
Don't miss
Our Out of Time exhibition is closing soon.
Open 7 days, 10am - 5pm
Late night Wednesday until 9pm
Free entry, free wifi
Exhibition
![Julia Morison: Head[case]](/media/cache/de/88/de88d73a69e40a8ec3368b62e2d68f52.jpg)
Julia Morison: Head[case]
An installation of seven small hexagonal rooms and 100 ceramic heads, each distinctly different from the next, by one of Ōtautahi Christchurch’s most inventive artists
Notes
Tod Greift In Kinderschar by Käthe Kollwitz
This article first appeared as 'A compelling artist-advocate remembered' in The Press, 22 November 2017.
Exhibition
Closer: Old Favourites, New Stories
New perspectives on ten of the Gallery’s best-loved paintings.
Commentary
Your Hotel Brain
We recently opened a new collection-based exhibition, Your Hotel Brain. Curated by Lara Strongman, it focuses on the cohort of New Zealand artists who came to national – and in some cases international – prominence in the 1990s. The title of the exhibition is a phrase drawn from Don DeLillo’s epic novel, Underworld, published in 1997. It gestures towards the way that pieces of information float through your mind, checking in and out, everything demanding attention, everything happening all at once – a metaphor for postmodernism in the 1990s and for the increasing slippage of context in the digital era. The 1990s were a time of great social and cultural change in Aotearoa New Zealand, set against a broader backdrop of globalisation and the rise of digital technologies. Artists, as ever, registered these cultural shifts early. We asked a number of people who were working in the arts at the time to recall their experiences of the 1990s.
Commentary
Laurence Aberhart
New Zealand artist Laurence Aberhart is internationally regarded for his photographs of unpeopled landscapes and interiors. He photographs places redolent with the weight of time, which he captures with his century-old large-format camera and careful framing. But he’s always taken more spontaneous photographs of people too, particularly in the years he lived in Christchurch and Lyttelton (1975–83) when he photographed his young family, his friends and occasionally groups of strangers. ‘If I lived in a city again,’ he says, ‘I would photograph people. One of the issues is that I even find it difficult to ask people whether I can photograph a building, so to ask to photograph them – I’m very reticent. I also know that after a number of minutes of waiting for me to set cameras up and take exposure readings and so on, people can get rather annoyed. So it’s not a conscious thing, it’s more just an accident of the way I photograph.’
Notes
Underworld 2 by Tony de Lautour
This article first appeared as 'Painting offers a multiverse of symbols' in The Press on 21 June 2017.
Notes
Your Hotel Brain
This week we've been installing a new collection exhibition, Your Hotel Brain. It replaces curator Ken Hall's elegant meditation on architecture and memory, Above Ground, in the contemporary collection galleries.
