Papers are PDF's  You
may need to download a free
Adobe Reader |
A Stroll Through the Park <abstract> Robert Jahnke, Te Whanau a Rakairoa o Ngati Porou, Senior Lecturer/Co-ordinator of the Maori Visual Arts Programme/Toioho ki Apiti, Maori Visual Arts, Te Putahi-a-Toi/School of Maori Studies, Massey University, Palmerston North, New Zealand
Adventures in Museumland - The Maori Researcher as Cultural Tourist Dr. Deidre Brown, Ngapuhi, Ngai Kahu, Pakeha, Lecturer in Art History, University of Canterbury, Christchurch, New Zealand
An educational proposal for development through cultural patrimony <abstract> Margarita Maass, Head of the Masters Degree in Communication, Universidad Iberoamericana, Mexico City, Mexico
Artlook - Inspiring access to art and audience <abstract> Robyn Krause-Hale, Senior Education Officer, National Gallery of Victoria, Melbourne, Australia
Arts for Health: Art therapy program at the National Gallery of Australia. Phillippa Winn, Education Officer, National Gallery of Australia, Canberra, Australia
Balancing integrity with viability - ensuring a future harvest David Demant, Project Curator, Museum Victoria, Melbourne, Australia
Challenges Of Presenting Culture in Museums; Asian African Heritage Exhibition in Nairobi Museum Fredrick Karanja Mirara, National Museums of Kenya, Nairobi, Kenya
Fiji Museum in the Post-Colonial Era Kalpana Nand, Education Officer, Fiji Museum, Suva, Fiji
Commercialisation & Marketing David Chin, Marketing & Publicity, Robert McDougall Art Gallery, Christchurch, New Zealand and Hamish Saxton, Marketing Manager, Canterbury Museum, Christchurch, New Zealand
Community Projects in the Discovery Centres at Te Papa Clemency Boyce, Inspiration Station Supervisor, Museum of New Zealand Te Papa Tongarewa, Wellington, New Zealand
« Cultural tourism » : new opportunities and/or challenges for museum education <abstract> Nicole Gesché-Koning, Scientific Collaborator, Universite Libre du Bruxelles, Brussels, Belgium
Facing up to Commercial Realities: Challenges for the Modern Museum <abstract> Dr Gerard Vaughan, Director, National Gallery of Victoria, Australia
From Zero to 360 degrees: Cultural Ownership in a Post-European Age Jonathan Mane-Wheoki, Ngapuhi, Senior Lecturer in Art History, University of Canterbury, Christchurch, New Zealand
Globalisation and Cultural Ownership Steve Lowndes, Director, Akaroa Museum, Akaroa, New Zealand
Globalisation and Education Karen Mason, Project Manager, Shift, and Steve La Hood, Director of Story! Inc, Creative Capital Business Cluster, Wellington, New Zealand
Guy Pask <abstract>, Director, Strategy Advertising & Design, Christchurch, New Zealand
Imagining Indigenous Space: Indians in museums <abstract> Dr. Gerald McMaster, Plains Cree (Nêhiyawuk), Deputy Assistant Director for Cultural Resources, National Museum of the American Indian, Smithsonian Institution
Interns in the National Gallery of Australia Barbara Brinton, Manager of Education, National Gallery of Australia.
Kerstin Cedersand, Education Officer, The National Museum of Ethnography, Stockholm, Sweden
Museums and the Standards: Perspectives on how Museums in The United States are being affected by the National Education Reform Movement Elsa Bailey, PhD Candidate, Prof. George Hein, Lesley University, Cambridge, United States
Non Formal Institutions of Learning Brian Taylor, Director, Science Alive, Christchurch, New Zealand
Pacific Perspective at Pataka Helen Kedgley, Exhibitions Curator and Linda Fordyce, Education Officer, Pataka-Porirua Museum of Arts and Cultures, Porirua, New Zealand
Parent Carousel Imogen McCarthy, Senior Teacher School Service, Nelson Provincial Museum, Nelson, New Zealand
Popularisation and New Research in Museum Learning Dr. Barbara Piscitelli, School of Early Childhood Education, Queensland University of Technology, Brisbane, Australia
The Marketing of Cultural Experience - Whale Watch Kaikoura Limited Wally Stone, Ngai Tahu, Chief Executive, Whalewatch, Kaikoura, New Zealand
Puke Ariki – A project to amalgamate the Taranaki Museum and New Plymouth District Library <abstract> Vivienne Bone, Customer Services Manager, Puke Ariki - Taranaki Museum & Libraries, New Plymouth, New Zealand
Reclaiming Museum Education A paper commenting on the Keynote Address with reference to museum education Dr. Brigid Globensky, Fulbright Fellow, Massey University, Palmerston North, New Zealand
Reclaiming the Future: New Zealand and the Global Economy Professor Jane Kelsey, Professor of Law, University of Auckland, Auckland, New Zealand
Resistant Media <abstract> Deborah Lawler-Dormer, Director, Moving Image Centre, Auckland, New Zealand
Results of research conducted in Parisian museums <abstract> Marie Clarte O'Neill, Head of the Museum Studies Programme, Ecole du Louvre, Paris, France
Selling the Family Jewels - Commercialism and Museum Education in contemporary Australia. Adriana Montana, Public Programmes Manager, National Trust of Australia, Victoria, Australia
Tapa - Heartbeat of the Pacific A celebration of a vibrant and dynamic art Helen O'Callaghan, Community Education Officer, Whanganui Regional Museum, Wanganui, New Zealand
Taranaki Museum – Puke Ariki LEOTC 2001 – A Proposal Judy Hanline, Education Officer, Puke Ariki - Taranaki Museum & Libraries, New Plymouth, New Zealand
Te Rünanga O Ngäi Tahu Te Awhina Arahanga, Ngai Tahu, Ngai Tahu Development, Christchurch, New Zealand
The Call of the Creative Hero <abstract> Peter Biggs, Director, Clemenger BBDO and Chair, Creative NZ (Arts Council of New Zealand Toi Aotearoa), Wellington, New Zealand
The Canterbury Tales: Heritage and community <abstract> Brian Lintott, Heritage Curator, The Arts Centre, Christchurch, New Zealand
The Days of Saint Hubert <abstract> Marian Ciz, Musem vo Sv. Anton, Slovakia
The Great Museum Helena Friman, Freelance Cultural/ Historical Educator & Consultant, Stockholm, Sweden
The Kauri Museum Betty Nelley, Collections Manager, The Kauri Museum, Matakoe, New Zealand
The Old School Tie <abstract> Ian Watts, Visitor Services Manager, Gold Treasury Museum, and Kenneth Park, Community Affairs Manager, Wesley College, Melbourne, Australia
Thinking That Makes A Difference – The Community of Inquiry Clinton Golding, Philosopher, Wellington, New Zealand
Visitor study of a touring exhibition: Methods, problems and results <abstract> Eva Maehre Lauritzen, Universitetet I Oslo, Norway
What catches the visitors’ attention more than the museum object, and what is its importance in the exhibition space? <abstract> Dr. Colette Dufresne -Tasse, C. Lamy, L. Sauve, Y Lepage, Université de Montréal, Montréal, Canada
ICOM/CECA Chairman’s report on the ICOM/CECA 2000 Conference (Published in the CECA Bulletin, No 19) Ganga S Rautela, Director, Nehru Science Centre, Interim Chair of CECA, Mumbai, India
After Thoughts David Butts, Senior Lecturer, Programme Co-ordinator, Heritage and Museum Studies, School of Mäori Studies, Massey University, Palmerston North, New Zealand
Down Under / Upside Over Peter Schueller, Krefelder Kunstmuseen, Germany
Report [in French] Nicole Gesché-Koning, Scientific Collaborator, Universite Libre du Bruxelles, Brussels, Belgium
Two Views Of ICOM/CECA 2000 Conference Lynne Trafford, Executive Director, Hawke’s Bay Cultural Trust
ICOM/CECA Conference 2000
Christchurch, New Zealand
29 October - 2 November, 2000.
Conference archive hosted by Christchurch
Art Gallery Te Puna o Waiwhetu